EXHIBITION
LINDER:
GODDESS OF THE MIND

What I Do To Please You I Do, 1981 - 2008
Courtesy of the artist and Modern Art © Linder

Oedipus, 2021
Courtesy of the artist and Modern Art © Linder

Untitled, 1979
Courtesy of the artist and Modern Art © Linder
2026.6.25 THU - 8.16 SUN
11:00 - 19:00
*Open until 16:30 on June 25.
Last admission is 30 minutes before closing.
Open daily / Free admission
INTRODUCTION
CHANEL Nexus Hall presents Linder: Goddess of the Mind at the Museum of Kyoto Annex during KYOTOGRAPHIE 2026, on view from 18 April to 17 May 2026. This marks the artist’s first major exhibition in Japan, which will subsequently travel to CHANEL Nexus Hall in Tokyo on 25 June 2026.
Emerging from the punk scene in 1970s Britain, Linder is celebrated for her radical use of photography and photomontage to challenge and reimagine ideas of desire and the female body. For over 50 years, Linder has spliced and assembled photomontages that remain as urgent and subversive today as when she first conceived them.
Linder: Goddess of the Mind, presented by CHANEL Nexus Hall and developed in close collaboration with the artist, brings together works that trace the evolution of her practice. Building on the momentum of Linder’s recent retrospective at London’s Hayward Gallery, the presentation affirms her position as one of the great feminist mavericks of the British art scene. KYOTOGRAPHIE, the world-leading photography festival in the historic city of Kyoto, provides a new context for Linder’s ground-breaking oeuvre.
The retrospective exhibition presents key works that chart the evolution of the artist’s career. This includes the 1977 series Pretty Girls, which recontextualises images of women from erotic magazines, and The Principle of Totality (2012), in which forty-five black-and-white portraits are overlaid with lipsticked mouths, foregrounding the controlling force of the gaze and the female image as something constructed and consumed.
Linder’s distinctive visual language draws on the photographs and photomontages of Dada artists such as Hannah Hoch and Man Ray, as well as the dreamlike provocations of the Surrealists. Treating images as malleable objects, Linder challenges conformist constraints with beauty, lightness, and humour.
Following the close of KYOTOGRAPHIE, Linder: Goddess of the Mind will travel to Tokyo, where it will be on view at CHANEL Nexus Hall from 25 June. For over 20 years, in the heart of Ginza, CHANEL Nexus Hall has showcased creativity and innovation across disciplines. Recent exhibitions include a commissioned series by photographer Roe Ethridge, the AI–centric work of Sofia Crespo and Entangled Others, and acclaimed photographer Pushpamala’s first show in Japan.
ARTIST
LINDER STERLING
photo: Takeshi AsanoIn February 2025, she opened a major retrospective, Linder: Danger Came Smiling, at the Hayward Gallery, London, which then toured to Inverleith House, Edinburgh; Glynn Vivian Art Gallery, Swansea; and will be on view at Grundy Art Gallery in Blackpool from July until October 2026. The touring show Linderism was mounted in 2020 at Kettle’s Yard, Cambridge, later travelling to the Hatton Gallery, Newcastle upon Tyne. The solo exhibition Linder: Femme/Objet was organised in 2013 by the Musée d’Art Moderne de Paris, later travelling to the Kestner Gesellschaft, Hanover.
Linder’s works are held in collections including the Musée d’Art Moderne de Paris; Victoria and Albert Museum, London; Arts Council Collection, London; National Portrait Gallery, London; the DESTE Foundation for Contemporary Art, Athens; the Irish Museum of Modern Art, Dublin; The Museum of Modern Art, New York; and Tate Modern, London.